Vessels & Other Objects, 2022-2025

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3. Feathers
glass jar
desaturated new earthenware bowl2
silver foil
Desaturated tall vase
desaturated Decorative Gothic Panel
darkened plastic brush
5. Paint Tin
new coffee pot
12. Flower Basket II v 2
mirror v 2
single jar
for web new work brush
cushion for web 2
lightened Tuners book v 2
lightened empty packet v 3
back of frame for web
back of frame for web2
desaturated Leaflet holder
purificator
for web mission hymns
Desaturated bible
v 2 Blue bag 3
Bowl 3 with extra sides2
watering vessel5
Hassock4
work advent decoration centered2
new broken pot
brush 3
11. Flower Basket I
cupboard door front for web
cupboard door back for web
tealights v2
altered vase 2
changed colours bucket
desaturated Butterflies
chamonix leather
Brick for web2
for web Empty ledge
‘Feathers’,
‘Glass Jar No. II’,
‘Earthenware Bowl’,
‘Wooden Baton Wrapped in Silver Foil’,
‘Tall Vase’,
‘Decorative Gothic Panel’,
‘Plastic Brush’,
‘Paint Tin’,
‘Coffee Pot’,
‘Flower Basket’,
‘Mirror’,
‘Glass Jar No. I’,
‘Wooden Brush’,
‘Cushion’,
‘Tuners Notebook’,
‘Empty Packet’,
‘Empty Frame (front)’,
‘Empty Frame (Back)’,
‘Plastic Display Stand’,
‘Purification Cloth’,
‘Mission Hymns’,
‘Bible’,
‘Blue Bag ’,
‘Vase No. I’,
‘Plastic Watering Pot’,
‘Hassock’,
‘Advent Decoration’,
‘Broken Pot’,
‘Decorating Brush’,
‘Trug ’,
‘Small Cupboard Door (Front)’,
‘Small Cupboard Door (Back)’,
‘Tealights’,
‘Vase No. II’,
‘Steel Bucket’,
‘Butterflies’,
‘Chamonix Leather’,
‘Brick’,
‘Empty Ledge’,

Vessels & Other Objects, 2022-2025

Vessels & Other Objects, 2022-2025 The church of St. Gregory’s, Heckingham, dates from the 12th Century but has been redundant since the 1990’s. It sits on top of a small rise in the landscape on the edge of the Norfolk Marshes. Any context of a community has now dissipated leaving it as a symbol of something past, a motif of Englishness that seems redundant. Its vestry, however, still retains many of its items and objects that were used in the liturgy and daily running of the church; mundane, everyday objects donated from homes across the parish. Now surplus and showing signs of neglect, I photographed each object from the vestry using an 8 x 10 plate camera. Placed into a niche set into the church wall, each object assumes the attributes of an installation. Made at the same time of day over a three-year period, and throughout each season, the changing light from the leaded and stained-glass windows altered the hues of each picture as it blended with the niche’s light- yellow paintwork. With a disquieting sentimentality, these ‘ornaments’ which have outlived their purpose, make visible a diminishing connection between modern culture and its medieval past; a contemporary memento mori to the last vestiges of a world in suspension, on the cusp of disappearing from view.